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Dabangg 2


Cast: Salman Khan, Sonakshi Sinha, Prakash Raj, Arbaaz Khan
Direction: Arbaaz Khan
Rating: ***
Arbaaz Khan knows that he owns a very successful franchise and to score big with ‘Dabangg 2’ he needed to do more than just replicate the same format. ‘Dabangg 2’ tries to deliver on its promise as much as possible and our hero indulges his fans in true Salman Khan-ishtyle.
Chulbul/Robinhood Pandey (Salman Khan) has now taken a transfer to Kanpur where goon-turned-politician Thakur Bachcha Lal (Prakash Raj) needs to be tamed. There are quite a few encounters between Chulbul and Bachcha bhaiya’s men and every time our supercop manages to beat the bad boys to a pulp in his inimitable style.
Chulbul has made peace with his stepbrother and stepfather and is a more domesticated man now. He is no longer the brash, presumptuous lover but a more romantic and understanding husband. While some of the interaction between Chulbul and his once-estranged father and brother is endearing, I somehow liked the arrogant Chulbul Pandey much better than this one.
The problem with ‘Dabangg 2’ is the same that plagues most sequels; unless there is an essentially original plot and an unpredictable twist, there is nothing new in this story. The gags, the stunts, the catch phrases, even the song placement at regular intervals give the film a very repetitive feel.
What works for the film is the fact that the length is just right and prevents the film from becoming tedious. Salman Khan is at his entertaining best as Chulbul/Robinhood Pandey.
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Dabangg 2 Trailer

Rajdhani Express



There are a lot of stories that go wrong, that don’t play out the way the director conceives it, that has drawbacks that pull down the pace of the film but this one is so disjointed and incoherent that it makes you wonder what was Ashok Kohli thinking when he decided to make ‘Rajdhani Express’.
Actually it took me a while to wrap my mind around the actual premise, if any. A fashion designer (Sudhanshu Pandey), an item girl (Pooja Bose), a scriptwriter (Priyanshu Chatterjee) and an impostor (Leander Paes) are all aboard the Rajdhani Express. Since they are all traveling in the same compartment, they decide to get drunk and play a game where they will reveal each other’s secrets. Each secret reinforces every Bollywood stereotype possible – the item girl has sex for money, so much so, that she starts soliciting her co-passengers, the fashion designer says he is gay but has no issues engaging in some harmless hanky-panky with the item girl in the train restroom. And our impostor is an angry young man who has been wronged in every way possible by society and therefore, has the license to be obnoxious and pass the most chauvinistic comments making it impossible for the audience to feel any sympathy for this protagonist with a troubled past.
You have hardly come to terms with the shoddy storytelling when the plot trajectory goes off in a complete tangent. There is a bomb threat and alleged terrorists on this train and the Deputy Commissioner of Police (Jimmy Shergill) decides to take matters into his own hand. The omnipresent media can’t be left far behind and they are roped in to play a bizarre part. The narrative is interspersed with needless drama, random flashback sequences and totally dispensable romantic numbers.
I had hoped that at least the performances will salvage this film. Leander Paes has definitely lost his first game, set and match in Bollywood. Priyanshu Chatterjee, who is usually dependable, completely hams it up trying to speak Hindi in a Bengali accent. The .5 rating in this film is only and only for Jimmy Shergill, who approaches and executes his role with complete sincerity.
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Rajdhani Express Trailer


Matru Ki Bijlee Ka Mandola



‘Matru ki Bijlee ka Mandola’ has a lot of things going for it but somehow it lacks the edge of other Vishal Bharadwaj films. Except his last production (7 Khoon Maaf), Vishal Bharadwaj’s productions are commendable for their tight, flawless scripts but in ‘Matru…’ too much time is spent on background and creating context before the story unfolds.
While the plot is basically about illegal land acquisition; here the story revolves around industrialist Harry Mandola (Pankaj Kapur), his daughter Bijlee (Anushka Sharma) and Mandola’s odd-job man Matru (Imran Khan). Bijlee is all set to marry the local politician’s (Shabana Azmi) dumb son Badal (Arya Babbar). The wedding is a mutually beneficial deal between the industrialist and the politician. But of course, there has to be the typical Bollywood-style twist where Bijlee falls in love with Matru, putting the entire arrangement in jeopardy.
The reason why it is difficult to grasp the narrative immediately is because the plot oscillates quite a bit; it’s a romantic comedy set against the backdrop of the fight for the villager’s rights, there’s a bit of the absurd but the direction is not as sure-footed. The pace of the first half is quite slow and the story tends to drag a bit till interval. Except a few songs, there’s nothing outstanding about the music.
What works for the film is the solid performance by its lead actors. Imran Khan has obviously put in a lot of lot of hard work to make the transformation to a Haryanvi hero. He almost gets the accent and pronunciation; maybe he needed to be a little more arrogant, as far as his body language was concerned. Shabana Azmi is a delight to watch as the scheming, manipulative politician. But it is Pankaj Kapur’s film all the way; he plays Harry Mandola with élan as his eccentric character switches between the shrewd opportunist and the endearing drunk.

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Matru Ki Bijlee Ka Mandola Trailer

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Hollywood News


Barca end the year on a high as Real lose


MADRID (Reuters) - Unbeaten La Liga leaders Barcelona ended 2012 on a high when Lionel Messi struck his 91st goal of the year in a 3-1 win at Real Valladolid while their arch-rivals Real Madrid slumped to a 3-2 defeat at Malaga.
It was the perfect tonic for Barca following the news that coach Tito Vilanova had to have throat surgery last Thursday.
The 44-year-old was released from hospital earlier on Saturday and was absent from Valladolid's Jose Zorrilla stadium as Barca racked up a record 16th win in 17 games this season.
Real's woes deepened after the stuttering champions suffered a second consecutive setback following last weekend's 2-2 draw at home to Espanyol.
Coach Jose Mourinho sprung a surprise by leaving captain and goalkeeper Iker Casillas on the bench and the defeat left Real 16 points adrift of Barca.
They are seven behind second-placed Atletico Madrid, who won 1-0 at home to Celta Vigo on Friday, and their lead over Malaga in fourth was cut to two points.
Mourinho told a post-match news conference Real were "facing an insurmountable gap" but dismissed a question about whether he feared for his job.
"Football is football, why should I fear for my job?" the Portuguese said.
"We coaches know perfectly well that football has no memory. The titles you have won don't count, the work you have done doesn't count.
"Losing always hurts but it hurts me more when you don't give what you are able to give.
"In the brief chat I had with the players I told them they can go home sad at losing but in the knowledge that they did their job to the best of their ability."
Barca have 49 points from 17 matches, a record for this stage of a La Liga campaign, and the only match they failed to win was a 2-2 draw at home to Real in October.
Atletico, resurgent under Argentine coach Diego Simeone, have 40, with Real on 33 and Malaga, who are coached by Mourinho's predecessor at Real, Manuel Pellegrini, on 31.
TRADEMARK RUN
Valladolid kept a dominant Barca at bay until two minutes before halftime when Messi, who earlier shook the frame of the goal with a free kick, played Jordi Alba through on the left and Xavi turned his low cross into the net.
Messi uncharacteristically fluffed a simple chance early in the second half but the Argentine World Player of the Year doubled Barca's lead in the 59th minute with a trademark run and finish.
Xavi's clever back heel set the Argentine on his way and Messi dinked the ball between a defender's legs before firing a low shot into the far corner.
It was his 26th La Liga goal of the campaign and his 91st of 2012, extending the calendar year record he broke earlier this month when he overhauled Gerd Mueller's 40-year-old mark of 85.
Javi Guerra pulled a goal back for Valladolid in the 89th minute before Cristian Tello added a third for Barca in added time moments after coming off the bench.
Barcelona's assistant coach Jordi Roura has taken charge on a temporary basis until Vilanova, who is starting a course of chemo- and radiotherapy, is well enough to return.
"We are on a good run and we had to make a final effort for the year to dedicate the win to Tito," Xavi told reporters.
"We should have killed off the game earlier by taking a three-goal lead so as not to suffer but they made it 2-1 in one of their few attacks," added the Spain midfielder.
Malaga goalkeeper Willy Caballero palmed a swerving Cristiano Ronaldo free kick onto the crossbar early in the match at the Rosaleda before Isco fired the home side ahead with a low shot from the edge of the area four minutes after the break.
A Sergio Sanchez own goal in the 66th minute brought Real level but two goals in quick succession from substitute Roque Santa Cruz left the visitors reeling.
Mesut Ozil made the most of a stray pass to set up Karim Benzema for Real's second eight minutes from time but Malaga held on for their first home win against the Madrid club in almost 30 years.
Real Betis, who are fifth, slipped three points behind Andalusian rivals Malaga with a 2-1 defeat at home to Real Mallorca.
Mallorca ended a run of nine defeats and three draws stretching back to the beginning of October and are 16th on 16 points.
Athletic Bilbao's erratic form continued when they lost 2-0 at home to Real Zaragoza, leaving last season's Europa League finalists in 13th on 21 points, a point behind Zaragoza in 12th.

The Kraken wakes: first images of giant squid filmed in deep ocean

TOKYO (Reuters) - A Japanese-led team of scientists has captured on film the world's first live images of a giant squid, journeying to the depths of the ocean in search of the mysterious creature thought to have inspired the myth of the "kraken", a tentacled monster.
The images of the silvery, three-metre (10 feet) long cephalopod, looming out of the darkness nearly 1 km below the surface, were taken last July near the Ogasawara islands, 1,000 km (620 miles) south of Tokyo.
Though the beast was small by giant squid standards - the largest ever caught stretched 18 metres long, tentacles and all - filming it secretly in its natural habitat was a key step towards understanding the animal, researchers said.
"Many people have tried to capture an image of a giant squid alive in its natural habitat, whether researchers or film crews. But they all failed," said Tsunemi Kubodera, a zoologist at Japan's National Museum of Nature and Science, who led the team.
"These are the first ever images of a real live giant squid," Kubodera said of the footage, shot by Japanese national broadcaster NHK and the Discovery Channel.
The key to their success, said Kubodera, was a small submersible rigged with lights invisible to both human and cephalopod eyes.
He, a cameraman and the submersible's pilot drifted silently down to 630 metres and released a one-metre-long squid as bait. In all, they descended around 100 times.
"If you try and approach making a load of noise, using a bright white light, then the squid won't come anywhere near you. That was our basic thinking," Kubodera said.
"So we sat there in the pitch black, using a near-infrared light invisible even to the human eye, waiting for the giant squid to approach."
As the squid neared they began to film, following it into the depths to around 900 metres.
"I've seen a lot of giant squid specimens in my time, but mainly those hauled out of the ocean. This was the first time for me to see with my own eyes a giant squid swimming," he said. "It was stunning, I couldn't have dreamt that it would be so beautiful. It was such a wonderful creature."
Until recently, little was known about the creature believed to be the real face of the mythical kraken, a sea-monster blamed by sailors for sinking ships off Norway in the 18th century.
But for Kubodera, the animal held no such terror.
"A giant squid essentially lives a solitary existence, swimming about all alone in the deep sea. It doesn't live in a group," he said. "So when I saw it, well, it looked to me like it was rather lonely."

With Kimmel move, ABC aims to copy morning success late at night

REUTERS - After toppling NBC's "Today" show in the morning show ratings for overall viewers for the first time in 16 years, ABC is now taking aim at NBC's iconic "Tonight Show" franchise.
The network, owned by the Walt Disney Co , launches on Tuesday evening its most ambitious - and riskiest - effort to grab a slice of television's late-night audience, moving "Jimmy Kimmel Live" to the 11:35 p.m. time slot and displacing the hour's top-rated show, news program "Nightline."
Pushing Kimmel's show to 11:35 p.m. from its usual midnight airing puts the popular and pudgy young host in direct competition with Jay Leno's "Tonight Show" on NBC and "The Late Show with David Letterman" on CBS Corp , not to mention Comedy Central's "The Colbert Report," hosted by Stephen Colbert.
Moving "Kimmel" earlier may help ABC capitalize on both advertiser demand for entertainment programming and provide a boost to its prime time schedule. Late-night shows, like morning news programs, are among the most profitable for networks because they cost less to produce. Their ratings are also steadier than prime time shows because there are fewer repeats.
The network calculus goes like this: Advertisers will pay higher rates for entertainment shows at that hour compared with news programs. Plus, more regular "Kimmel" viewers means more people will see promotions for ABC's prime time slate, driving a bigger audience there and potentially boosting the network's overall financial performance.
According to Jason Maltby, lead TV ad buyer at media buying firm Mindshare, late-night is one of "two areas where (ABC) can make more money." The other is early morning, where its "Good Morning America" usurped NBC's "Today" show in ratings.
"The Tonight Show with Jay Leno" currently leads the late-night broadcast comedy race with 3.4 million viewers on average, according to Nielsen. "The Late Show with David Letterman" pulls in 3.0 million, while "Jimmy Kimmel Live" grabs 1.9 million.
In 2011, companies spent $425.8 million to advertise during Leno, Letterman or Kimmel, according to the most recent yearly data from Kantar Media. Leno's show led the pack, grabbing $160.8 million. Letterman brought in $157.4 million, while Kimmel earned $107.7 million. "The Colbert Report," which runs for 30 minutes starting at 11:30 p.m., collected $41 million.
"Nightline," the 33-year-old newscast that began as a daily update during the 1980 Iran hostage crisis, actually draws more viewers than all of its entertainment-focused late-night competition, averaging 3.9 million viewers nightly. The 30-minute "Nightline" will move to 12:35 a.m. and also will air in a new one-hour prime time slot on Fridays.
Although "Nightline" attracts more viewers than "Kimmel," ABC says switching the two shows will allow it to secure higher ad rates, known as cost-per-thousand viewers or CPMs, because advertisers prefer an entertainment audience over a news audience at 11:35 p.m.
YOUNGER AUDIENCE
At 45, Kimmel is two decades younger than Leno, 62, and Letterman, 65. ABC believes that fact coupled with his younger, tech-savvy audience will make his show more appealing to advertisers. The network's marketing blitz features ads with the tagline: "Younger. Smarter. Funnier. Earlier." Kimmel has been making the media interview rounds and exposed his butt crack for a Rolling Stone magazine cover story.
"Jimmy attracts a really fantastic demo," ABC Entertainment President Paul Lee said in an interview. "He will start to make the audience younger and, because it is entertainment, he will bring in higher CPMs."
Maltby agrees, saying Kimmel's show gives ABC "the opportunity to get a larger audience, which means more revenue."
Kimmel is kicking off the time shift with big-name guests, including Jennifer Aniston and Ryan Gosling. The comedian said he will continue to experiment with new segments on his show, but he does not plan any changes based on the earlier start.
"It will pretty much be the same show that we've been doing," he told reporters during a December 19 conference call.
Advertisers will watch Kimmel's ratings over the next few weeks to see if the initial audience sampling generated from the hype leads to viewers sticking with the show, said Jackie Kulesza, video activation director for Starcom USA.
NBC executives expected initial interest in Kimmel's move to impact Leno's ratings, although they declined to be specific.
"The reason we're not that concerned is because of Jay's legacy all these years," NBC Entertainment Chairman Robert Greenblatt said at a Television Critics Association meeting.
With the "Nightline" move, "there's going to be some viewers freed up and I'm not sure they're going to go to Jimmy Kimmel necessarily."
ABC OVERALL
As it shuffles the late-night schedule, ABC is experiencing mixed results in other time periods. "Good Morning America," the network's marquee morning show, knocked NBC's "Today" show from the top ratings spot it held for 16 years. In 2012's fourth quarter, "Good Morning America" ranked No. 1 with an average of 5.1 million viewers, ahead of the 4.6 million for "Today," according to ABC.
It is unclear how the ratings victory has impacted the "Today" show's historic lead in the race for morning-show ad dollars. The first two hours of "Today," from 7 a.m. to 9 a.m., collected $278 million in ad revenue in the first half of 2012, according to Kantar Media. "GMA" took in $167 million during that time period. Full 2012 data is not yet available.
In prime time, ABC is staring at a year-over-year ratings decline that also hit rivals CBS and Fox in the fall.
ABC's prime time lineup fell 6 percent among viewers 18 to 49, the age group prized by advertisers, according to Nielsen measurements of viewing on the day a show airs. CBS dropped 13 percent and Fox slumped 23 percent. NBC, boosted by "Sunday Night Football" and singing competition "The Voice," gained 22 percent.
From the start of the fall season through the end of 2012, ABC and Fox were roughly tied for third place among broadcasters, with an average of 3 million viewers each based on same-day viewing.
During the fall, ABC canceled new dramas "666 Park Avenue" and "Last Resort." The network ordered full seasons of alien comedy "The Neighbors" and musical drama "Nashville."
Lee noted that ABC finished first among 18- to 49-year-olds for non-sports programming on a ratings measurement known as C3, which captures viewers who watch a recorded show and its commercials within three days. C3 is the metric advertisers use when they buy and sell commercial time.
"We did what we were trying to do," Lee said. "We were number one in C3 for entertainment."
This week, ABC will highlight upcoming mid-season shows in front of reporters at a Television Critics Association meeting. They include drama "Zero Hour" starring Anthony Edwards and "Red Widow," about a woman who hunts for the truth behind her husband's death. (Reporting By Lisa Richwine in Los Angeles and Liana Baker in New York; Editing by Peter Lauria and Andre Grenon)

Hansel and Gretel Witch Hunters



Catching up with Hansel and Gretel (Jeremy Renner and Gemma Arterton), fifteen years after the traumatic incident involving a gingerbread house, the siblings have grown into vengeful bounty hunters dedicated to exterminating witches. Over the years, the siblings became expert hunters, famous for their proficiency at tracking and taking down their prey. Although still recovering from their ordeal, their work is relatively easy as for an unknown reason harmful spells and curses do not work well against them.
The Mayor of Augsburg, Germany recruits them to rid the town and nearby forests of an evil sorceress (Famke Janssen) who is planning to sacrifice many local children at the witches' gathering during the upcoming 'Blood Moon' night in two days time. To make things worse, the duo also has to deal with the brutal Sheriff Berringer (Peter Stormare) who has taken power in Augsburg and conducts a very indiscriminate witch-hunt of his own.


According to a 2009 interview with Wirkola, "it's an action-adventure horror movie that finds Hansel and Gretel fifteen years [after their first witch incident] and they've grown up to become merciless witch hunters. Blood and gore and action, all the stuff that I love. (...) It's definitely an R-rated movie, the first draft has a lot of blood and guts. First and foremost, it's an action movie, I think, with horror elements. And of course some dark humor as well. But the action and horror are the most import feelings I want."According to Adam McKay in 2010, "the idea is, they’ve grown up and they hunt witches. It’s a hybrid sort of old-timey feeling, yet there’s pump-action shotguns. Modern technology but in an old style. We heard it and we were just like, ‘That’s a freakin’ franchise! You could make three of those!'" McKay added, "the witches are awesome in it. Nasty, mean witches, and we'll get some great actresses for them as well."
Filming began in March 2011 and is taking place in Potsdam Babelsberg and in the city of Braunschweig, Germany On December 3, 2011, Entertainment Weekly released the first publicity photo of the film. Initially slated for a March 2, 2012 release, Paramount Pictures pushed it to a ten month delay for January 11, 2013. The first trailer for the film was released on September 5, 2012. The film was then delayed by two weeks to January 25, 2013 to avoid competition with Gangster Squad.


Hansel and Gretel Witch Hunters Trailer

The Texas Chainsaw Massacre 3D




On August 19th, 1973, the people of Newt, Texas, led by Mayor Burt Hartman (Paul Rae), burn down the farmhouse of the Sawyer family for their role in aiding Jedidiah "Jed" Sawyer, also known as "Leatherface", in several murders. The arsonists are celebrated as heroes in the town, and the entire family is presumed dead. However, an infant, Edith Sawyer, is found by one of the townsmen, Gavin Miller (David Born) who promptly murders her mother, Loretta Sawyer (Dodie Brown), and adopts Edith with his wife, Arlene (Sue Rock).
23 years later in 2012, Edith has been raised by her abusive parents, Gavin (David Born) and Arlene as Heather Miller (Alexandra Daddario). One day, a lawyer, Farnsworth (Richard Riehle), informs her that her long lost grandmother, Verna Carson (Marilyn Burns), has left her an inheritance, and Heather learns of her adoption. Angered, she sets out on a trip through Texas with her boyfriend Ryan (Tremaine Neverson) and two other friends, Nikki (Tania Raymonde) and Kenny (Keram Malicki-Sánchez), with little regard to her mother's warning. They also pick up hitchhiker Darryl (Shaun Sipos).
When they arrive, Farnsworth gives her the keys to the house along with a letter from Verna. Excited about the property she now owns, Heather and her friends look through the house, decide to stay the night, and immediately set off to buy supplies and food, trusting Darryl to stay and look over the house. Darryl begins looting it and believes he will find valuables in a locked room in the cellar of the house; however, upon entering the locked room he is bludgeoned by Leatherface. Heather and her friends return and discover the house has been ransacked, but choose to let it go.


As Kenny prepares dinner, he finds the butler's cellar, where Darryl was killed, and Leatherface impales him. Nikki seduces Ryan into a barn, where they have sex. Heather finds a deceased body upstairs and while trying to find her friends. In the kitchen she finds Leatherface cooking part of a human body; she is knocked out by Leatherface. Waking up in Leatherface's room, she witnesses him saw through Kenny's body, and manages to escape to the graveyard. Hearing the screams and chainsaw, Ryan and Nikki shout and draw the attention of Leatherface, while Heather gets the minivan and frantically picks up her friends.
In the ensuing chase, Leatherface catches up with the minivan and slashes one of it's tires. As the three try to escape, the minivan crashes and flips over, killing Ryan. Heather escapes and makes her way into the carnival where Leatherface follows, but escapes. Heather is taken in by the police, one of whom, Sheriff Hooper (Thom Barry), suspects Leatherface survived the fire and is still alive. Heather looks through the official police records and learns about her family's and the town's histories. She finds the public information which declares the townsfolk who murdered the Sawyer family heroes and also finds the classified report from Sheriff Hooper, which details that the townsfolk were the assaulters. Hartman sends a police officer, Officer Marvin (James MacDonald) to the Sawyer farm to kill Leatherface. However, Officer Marvin is startled and accidentally kills Nikki, before being killed by Leatherface.


The Texas Chainsaw Massacre 3D Trailer

Hollywood movies released in 2013




List Of Upcoming Hollywood Movies Released In Theaters Worldwide From Jun 2012 To End Of 2013

January, 2013
January 4
The Texas Chainsaw Massacre 3D
Lionsgate
January 11
Hansel and Gretel Witch Hunters
Paramount Pictures
January 11
Scary Movie 5
Weinstein Co.
January 18
Monsters, Inc 3D (Re-Release)
Walt Disney Pictures
January 18
Broken City
20th Century Fox
January 18
The Last Stand
Lionsgate
January 25
Battle of the Year: The Dream Team
Sony/Screen Gems
January 25
FilmDistrict
January 25
Untitled Farrelly Brothers Wessler Comedy
Relativity

February, 2013
February 1
Bullet to the Head
Warner Bros.
February 1
Warm Bodies
Summit Entertainment
February 8
47 Ronin
Universal
February 8
The Bitter Pill
Open Road
February 8
Safe Haven
Relativity
February 13
Beautiful Creatures
Warner Bros.
February 14
A Good Day to Die Hard
20th Century Fox
February 14
Weinstein Co.
February 22
Lionsgate
TBA
Tyler Perry's The Marriage Counselor
Lionsgate

March, 2013
March 1
Elysium
Sony Pictures
March 8
Oz, The Great and Powerful
Walt Disney Pictures
March 15
Sony/Screen Gems
March 15
Now You See Me
Summit Entertainment
March 22
The Croods
Paramount Pictures
March 22
Captain Phillips
Sony Pictures
March 22
Jack the Giant Killer
Warner Bros.
March 22
The Croods (IMAX)
Paramount Pictures
March 29
G.I. Joe: Retaliation
Paramount Pictures
March 29
The Host
Open Road
TBA
Trance

April, 2013
April 5
Untitled Paul Feig Comedy
20th Century Fox
April 12
42
Warner Bros.
April 12
Evil Dead
Sony/TriStar
April 26
Oblivion
Universal

May, 2013
May 3
Iron Man 3
Walt Disney Pictures
May 10
Universal
May 10
Tyler Perry's We the Peeples
Lionsgate
May 17
Star Trek 2
Paramount Pictures
May 17
Pixels
Sony Pictures
May 24
Fast and Furious 6
Universal
May 24
The Hangover 3
Warner Bros.
May 24
Epic
Fox Searchlight

June, 2013
June 7
After Earth
Sony Pictures
June 14
Superman: The Man of Steel
Warner Bros.
June 14
The End of the World
Sony Pictures
June 19
Turbo
Paramount Pictures
June 21
Monsters University
Walt Disney Pictures
June 21
World War Z
Paramount Pictures
June 28
The Internship
20th Century Fox
June 28
RIPD
Universal
June 30
Tai Chi O (Limited)
Well Go USA

July, 2013
July 3
The Lone Ranger
Walt Disney Pictures
July 3
Despicable Me 2
Universal
July 3
Independence Day 3D (Re-Release)
20th Century Fox
July 12
Grown Ups 2
Sony Pictures
July 12
Pacific Rim
Warner Bros.
July 12
The Smurfs 2
Sony Pictures
July 19
Jurassic Park 3D (Re-Release)
Universal
July 26
Dirty Dancing
Lionsgate
July 26
Phineas and Ferb
Walt Disney Pictures
July 26
The Wolverine
20th Century Fox

August, 2013
August 2
300: The Battle of Artemisium
Warner Bros.
August 2
RED 2
Summit Entertainment
August 9
RoboCop (Re-Release)
Sony Pictures
August 16
Percy Jackson: Sea of Monsters
20th Century Fox
August 23
The Mortal Insturments
Sony/Screen Gems
August 30
Leo the Lion (Limited)
Weinstein Co.

September, 2013
September 7
Paranoia
Relativity
September 13
The Little Mermaid 3D (Re-Release)
Walt Disney Pictures

October, 2013
October 4
Sin City: A Dame to Kell For
Dimension Pictures
October 4
Unititled Henry Selick Disney Project (Limited)
Walt Disney Pictures
October 18
Seventh Son
Warner Bros.
October 25
The Trick or Treaters
Weinstein Co.

November, 2013
November 1
Enders Game
Summit Entertainment
November 1
One Direction Concert Film
Sony Pictures
November 1
Singularity
Sony Pictures
November 1
November 8
Me and My Shadow
Walt Disney Pictures
November 8
Thor 2
Paramount Pictures
November 22
The Hunger Games: Catching Fire
Lionsgate
November 27
Frozen
Walt Disney Pictures

December, 2013
December 6
Santapprentice (Limited)
Weinstein Co.
December 13
The Hobbit: There and Back Again
Warner Bros.
December 20
Walking with Dinosaurs
20th Century Fox
December 25
The Secret Life of Walter Mitty
20th Century Fox
December 25
Teenage Mutant Ninja Turtles
Paramount Pictures

To Be Announced 2013
TBA
The Dark Tower
Universal
TBA
Gravity 3D
Warner Bros.
TBA
King of the Elves
Walt Disney Pictures
TBA
Mommy and Me
Sony Pictures
TBA
Ouija
Universal
TBA
Replicas (Limited)
IFC Midnight