Kya Super Kool Hain Hum” powers itself to 22 crores in first 3 days

“Crass, Clueless Comedy”, “Cringe fest”, “Filthy”. Well these words mean nothing to producer Ekta Kapoor.  Her latest venture “Kya Super Kool Hain Hum” has amassed 30 crore in the first three days at the box office. As she says, “We got gaalis (criticism) from the critics and taalis (applause) from the audience”.

The entire movie is peppered with funny dialogues throughout, which have a double meaning.  Trade analyst Taran Aadarsh has said that it’s a zany entertainer which belongs to the hardcore commercial cinema category. Hence it is sure to bring hordes of masses.  In the words of Tanuj Garg, CEO, Balaji Motion Pictures, the success is due to the “intriguing” content as also innovative marketing and aggressive distribution.

Truly it is, as it opened in multiplexes with collections on the first day around 60-70 %. In its first day it netted in 7.12 crore, as tweeted by Taran Aadarsh.

It is a movie where the dialogues sometimes rhyme, suggest or simply spell out the unmentionables. The film is directed by Sachin Yardi, who is also the story writer for this movie. And you have to complement him for coming up with phrases and words that say everything, yet supposedly say nothing.  For example the wife of Mr. Marlow (played by Anupam Kher ) has a name called Rose Mary Marlow , which in Hindi pronounciation can be is like ‘Roz- Meri – Mar – lo’. The signboard for the movie too has innocuous names like “La Whore Da Dhaba” and “Cumless Bhai”.

The story revolves around Adi (played by Tushar Kapoor) and Sid (Ritesh Deshmukh) who are friends. Adi is a struggling actor and Sid a struggling musician. Adi falls in love for Simram (Played by Neha Sharma), a call-center agent, who he thinks is his soul mate. Sid, a DJ, similarly falls in for Anu (Played by debutant Sarah Jane Dias). The plot starts to be murkier as they visit Anu’s father, Mr.  Marlow, in Goa. Mr. Marlow has been told by Baba 3G (played by Chunky Pande) that his wife has reincarnated as a dog. Then follow some hilarious moments with Sid’s pug. His dog then takes thing in its own paws.

Kya Super Kool Hain Hum Trailer

'Glee': New Cast Members Jacob Artist, Dean Geyer on Mohawks and Coming Between Finn and Rachel

The Hollywood Reporter: Congratulations on the casting, when did you find out?

Jacob Artist: I found out very late last night and I couldn't tell anybody so I had to sleep on it. Then this morning it was a whirlwind of calling family and friends. It's all fun and they're all really excited.

Dean Geyer: I found out this morning, my agent woke me up and apparently I'm working on Friday. I haven't read the script, I don't know what I'm doing but it's very exciting. I've never been on a show or a project with a budget like this, with talent like this. I'm looking forward to it because I get to sing and act, which are my two biggest passions. I get to work with really talented actors and it's only my fifth year of acting and I'm still learning the ropes. I'm really excited.

What was the audition process like?

Artist: I think I came fairly late in the game, it was about two and a half to three weeks ago. I had a callback and then tested last week withRyan Murphy and all the Fox executives. I was waiting to hear until last night. We had to sing and act and bring in five songs with sheet music because there was a pianist there to accompany us and I had the sides, which I didn't get until the day before. It was a crazy experience.

Geyer: I screen tested at Paramount and I got to met Lea and she was so sweet. I met her for literally two seconds and we jumped into a scene and she was so easy to work with. It was a chemistry read so there had to be a bit of chemistry there and thankfully there was with us. I actually knew one of the ADs from another show, which was nice getting to see a familiar face.

What'd you sing?

Artist: I sang "Never Say Never" by the Fray, which I was just saying I'd love to sing on the show, it'd be so fun to be able to sing my actual audition song. I had to also bring inElton John's "Don't Let the Sun Go Down On Me," which I love. I'd love to sing that, too, because it's such a beautiful ballad and it's so powerful.

Geyer: I sang an acoustic version of Justin Timberlake's "Cry Me a River" and "One Song, Glory" from the musical Rent and a Josh Groban song.

You're playing Puck's younger half-brother, what's he like?

Artist: Yes, Puck's younger half-brother, with a little bit of an attitude, so we'll see if that gets in the way of him succeeding with the glee club. It'll be interesting to see how he reacts with everybody else as well to the new kind of Puckerman.

How do you feel about potentially coming between Rachel and Finn and their legions of fans?

Geyer: They've been together for what, three seasons now?It's going to be tough, I know they have a lot of fans. I don't want to be that person to break them up but at the same time, it's fun to play someone that creates some sort of tension. I've gotten a lot of tweets asking if I'm going to be the dude who breaks them up (laughs). I could be a potential love interest, I could not be!

Brody comes in as a mentor to Rachel, how will he be showing her the ropes?

Geyer: He's definitely been through the ropes. He's a couple years older and has done Broadway before and that's something she really looks up to and is aspiring to. There's room in there to be a bit of a teacher and mentor rather than a love interest so it could go that way. It's definitely going to be fun for me since I started out as a musician, I've never done Broadway or theater so it's going to be a new experience for me.

How much do you know about your character's back story?

Artist: All I know is that he's a bad boy with a bit of an attitude. But it'll be fun to see where they decide to go with him.

Coming into a New Directions that's been depleted a bit. What are you looking forward to bringing to that choir room?

Artist: I was a dancer growing up and I feel like they have so many great dancers like Harry Shum Jr. and Heather Morris, so I think it'll be fun trying to utilize the dancing and bring that to the table to have another strong dancer with all of them would be cool.

A rival to Brittney?

Artist: Yes! I hear there's a Britney Spears episode coming up, it'd be fun if I could dance a little with Heather.

Have you spoken with Mark Salling yet?

Artist: I haven't met him yet. I will soon, hopefully!

Have they spoken with you about adopting Puck's trademark Mohawk?

Artist: I don't know yet, I have to see what's in store with what they have for me. I've had the same hair for forever so I think it'd be fun to let them do what ever they want to do with it.

Advice from the cast?

Artist: Just have fun. I'm so grateful and excited to be here, this has all been a huge blessing.

Anything you'd really like to do on the show?

Geyer: I've always played nice guys, so I'd love to be someone that creates a bit of confrontation. I know that sounds bad but as an actor, I want to explore different things. I know it's Glee and more on the happy, hopeful side but I'd love to be that person who creates some tension.

Glee's fourth season premieres in its new night and time slot on Thursday, Sept. 13 at 9 p.m. What do you think of the newest Glee guys? Hit the comments with your thoughts on how they'll fit in.

Arrow' Cast

  

The CW's take on DC Comics' Green Arrow will use the long-running series as a jumping off point but won't strictly adhere to the mythos, the cast and creators told reporters Monday at the Television Critics Association's summer press tour.

"We're definitely taking a lot of inspiration fromGreen Arrow: Year 1 and Green Arrow: The Long Bow Hunters," executive producer Marc Guggenheim told reporters of the inspiration for the series.

The comics, first created in the 1940s, have featured scores of different takes on the vigilante with producers using the those two series as a jumping off point and adding they've already injected drastic changes to the series about a vigilante in search of redemption.

The CW's take stars Stephen Amell as Oliver/Arrow, a hooded vigilante who returns home five years after being presumed dead from a boating crash to carry out revenge upon the people who have transformed his hometown from the sprawling city it once was.

Producers noted they've already made some drastic changes to the mythos -- including keeping (spoiler alert!) both of Oliver's parents alive and giving the only child from the comics a younger sister.

"Green Arrow has an origin that's subject to a lot of interpretation," Guggenheim said. "We always start with the comic as our source of inspiration."

Producers noted that they aren't worried about bringing a second version of the character to the CW -- following the Arrow/Oliver portrayed by Justin Hartley on the network's Smallville. Audiences, they said, are savvy enough to make the leap -- as they are with changes to other famed superheroes including Superman, Batman, Spider-Man and even James Bond. 

"We certainly wanted to chart our own course and destiny," Guggenheim said. "Michael Keaton doesn't affect your love for Christian Bale and Christian Bale doesn't affect your love for Adam West."

Here are seven more things to know about the upcoming CW action-drama.

Amell, who read Superman, Lobo and Spawn comics as a kid, was the first person to come in and audition for the part. "After we met Stephen and he auditioned, everyone else paled by comparison," executive producer Andrew Kreisberg said. "Every step of the way it was Stephen … he was always Oliver Queen to us."

 Speaking of superhero pedigree: Amell trained for the physically intensive role with the guy who was Henry Cavill's stunt double in Man of Steel where contestants for American Ninja Warrior work out.

 After training for the role, Amell and company sent exec producer Greg Berlantifootage of what he was able to do -- which led to the salmon ladder scene depicted in the pilot. "It's a chin-up with a dance move," says Amell, who does a lot of his own stunts. "As a producer, it's a little frightening when your star is doing a quarter of his stunts; it's a little daring but it's what makes the show unique," Berlanti notes.

 Arrow will explore the nature of vigilantism but it's really a story about redemption and executive producers said there won't be violence just for the sake of it. "Arrow always gives the bad guy of the week the opportunity to do the right thing, that's one of moral guidelines we're allowing," Guggenheim said. "When he kills, it's for necessity, it's not random violence. He'll have characters come into the universe that question those."

 Speaking of vengeance, Arrow has a list of people he's targeting but the series isn't a bad guy of the week effort. "The list is the jumping off point," Guggenheim allowed. "Circumstances aren't always the same; part of Oliver's evolution of a hero is moving from his mission of revenge to redemption and to help people and stop crimes and moving away from just the agenda of righting his father's wrongs to helping to save the city."

Producers and Katie Cassidy, who co-stars as Oliver's ex-girlfriend Dinah "Laurel" Lance, were coy when asked outright if she would follow in the comics' footsteps and become Black Canary. "Maybe!" is all Berlanti would allow.

There will continue to be flashbacks in every episode. Kreisberg noted Arrow is telling two stories: one set in the present day and the one set on the island where Oliver remained for five years and transformed into Arrow. "Every episode will be telling the chronological story of the island," he said. "Ideally by the last episode of the series, the last shot will be the boat coming for Oliver and being rescued."

Uu Kodathara Ulikki Padathara Movie

Cast: Balakrishna, Manchu Manoj, Deeksha Seth, Lakshmi Prasanna, Bhanuchander, Sonu Sood, Saikumar, Gollapudi Maruthi Rao, Balayya, Brahmanandam, Dharmavarapu Subrahmanyam, Raghubabu

Uu Kodathara Ulikki Padathara Songs free download

1.  Anuragame Haaratulaye    
2.  Prathi Kshanam Narakame    
3.  Adhi Ani Idhi Ani    
4.  Are U Ready     
5.  Abbabba Abbabba    
6.  Hai Re Hai     

Story: Gandharva Mahal belongs to the forefathers of Narasimha Rayudu (Balakrishna), who marries his sister to his relative Phanindra Bhupathi (Sonu Sood), who is in love with a prostitute's daughter Amruthavalli (Lakshmi Prasanna). Narasimha gifts his wealth including the Mahal as dowry. But he kills Bhupati when he tries to kill his sister and bring Amruthavalli to the Mahal. He also dies in the fight, but his soul haunts the Mahal to prevent others from occupy it. How a young man (Manoj) dares the soul and wins the hand of Jagadha (Deeksha Seth) the daughter of Rayudu (Prabhu) will form the crux of the film.

Performance: Balakrishna has delivered a great performance as Narasimha Rayudu. It is true that Mohanbabu has missed a chance by not playing the role. Manoj has also delivered wonderful acting. With his six-pack body, he looks fabulous in action and dance sequences. Deeksha Seth does not have enough scope to show her acting skills, but she has used the available screen place properly. She has exposed her glamour a lot in a couple of songs. Lakshmi Prasanna, Bhanuchander, Sonu Sood, Saikumar, Gollapudi Maruthi Rao, Balayya and others have done complete justice to their respective roles. Brahmanandam, Dharmavarapu Subrahmanyam, Raghubabu surely tickle the funny bones of audiences.

Technical: The art director has done a wonderful job in creating the Gandharva Mahal set, which is extra-ordinary. Cinematographer B Rajasekhar has maintained a perfect lighting all through the film. The action scenes and the blood drops are perfectly shown on the screen. Suman-Sulaiman's background score is excellent and it elevates many scenes. Lakshmi Bhupati's dialogues are a letdown and there is no punch in them.

The director has done a good script, bu failed to pen a perfect screenplay for it. He could not handle the subject in a proper manner. Before the end of the first half, the subject waters down, but by the interval bang, he takes the reins again. However, in the second half there are many ebbs and tides in the run of the subject.

Uu Kodathara Ulikki Padathara Movie trailer

JISM 2 Bollywood movie:

   

Starring:Sunny Leone, Sunny Leone, Arunoday Singh, Randeep Hooda 

Director:Pooja Bhatt

Banner: Clockwork Films Private Limited, Fish Eye Network Pvt Ltd 

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Jism 2 is an upcoming Bollywood erotic thriller film to be directed by Pooja Bhatt. It is the sequel to the film Jism which had John Abraham and Bipasha Basu in lead roles. The film marks the debut of Indo-Canadian pornographic actress, businesswoman and model, Sunny Leone in Bollywood. Jism 2 was launched on 1 December 2011, on popular Indian television show Bigg Boss, making the launch a first time ever in the history of Indian Cinema. Mahesh Bhatt compared Jism 2 to Italian romance drama Last Tango In Paris.A porn star (Sunny Leone) is hired by a dashing intelligence officer (Arunoday Singh) to become a 'Honey-trap' for a dreaded assassin (Randeep Hooda). In doing so, she not only has to confront her bitter-sweet past, but is also forced to make an impossible choice - one that will put her own life in double jeopardy.

Producer-director Mahesh Bhatt entered the house of Bigg Boss for a couple of hours to present a contract deal to Sunny to cast her as the lead actress in this sequel of the film Jism. The film will be directed by his producer-actress daughter Pooja Bhatt While Leone plays the female lead, the film will have two male protagonists. Currently Pooja Bhatt has signed Randeep Hooda and Arunoday Singh as lead actors. Imran Zahid is reportedly playing a role of a narcotics sleuth hailing from Delhi, in the film.About casting Sunny Leone in the film Pooja Bhatt says,"I signed Sunny Leone for the same reason I signed John Abraham in Jism. It was instinct. I broke the perception that models can't act with Jism. Now, I am looking forward to break another perception by signing Sunny Leone, a pornstar in Jism 2." Stating the differences between Jism and Jism 2 she says,"Jism was a love story for mature audience, Jism 2 is for mature adult audience. We are looking at raising the bar in every sense - emotionally and sensually. It would be the story of human heart, crime of passion, revenge, betrayal, the same elements that made Jism, with a fresh story.

Filming began on 1 April 2012 in Jaipur. The second schedule of Jism 2 was shot in Goa. The last and final shooting schedule of Jism 2 was shot in Sri Lanka The sequel will hit the screens on 3 August 2012.

The first Musical Promo of Jism 2 titled 'Yeh Jism hai to kya' was given an A-certificate by the Censor Board and so the promo was not permitted to air on TV. And this infuriated Pooja Bhatt to no end. That's the reason why Pooja decided to put her foot down and decided to release the Uncensored Promo of Jism 2 on Internet. Pooja also said further,"We have six songs in Jism 2. Only three cater to a universal audience without losing their essence. The other three cannot be made to seem asexual! Hence, we will only submit to the censor board and plug on TV those songs of Jism 2 what we feel is appropriate for a family audience". The first Musical Promo was released on 29 June and got rave reviews and was a huge hit on Youtube garnering 1 million views in just 5 days. And the Censor Board infuriated Pooja Bhatt further by granting the second song of Jism 2 titled 'Abhi Abhi' which has absolutely no adult content a U/A certificate. The Songs and cinematography go hand in hand with what was expected out of it. Well written melodious songs are a hallmark of the Jism series and it does not disappoint.

JISM 2 movie trailer

Diary of a Wimpy Kid: Dog Days Hollywood Movie

Release Date(s):August 3, 2012

Genre:Comedy, Family

Director:David Bowers

Producer(s):Nina Jacobson,Brad Simpson

MANILA, Philippines - Greg Heffley, the kid who made “wimpy” cool, is looking forward to his summer vacation in “Diary of a Wimpy Kid: Dog Days” but when his dad (Steve Zahn) decides they should spend more time together, Greg does everything he can to keep his father from ruining his summer vacation.

In “Diary of a Wimpy Kid: Dog Days,” which combines elements of both the third and fourth of the “Wimpy Kid” books, the good news is that school is out for the summer and Greg is looking forward to a vacation spent playing video games, hanging out with his best friend, Rowley, and working his way into the affections of the girl he has a crush on, Holly Hills. The bad news is that Greg Heffley being Greg Heffley, nothing is going to go as planned.

“At the start of the film Greg’s dad takes away all of his video game privileges and basically decides Greg should spend all his summer hanging out with him and doing outdoor stuff like camping and swimming,” explains Zachary Gordon, the thirteen-year-old actor who plays Greg.

In school or out of school, Greg also has a tendency to get himself into painfully embarrassing situations; Zachary says that this time round his on-screen alter ego plumbs new depths of humiliation. In “Dog Days”, Greg goes one step further and loses his swimsuit in a crowded pool. Greg also has what Zachary delicately refers to as a “mishap” on a roller coaster, meaning, we’re pretty sure, that Greg throws up on his fellow passengers. For the record, Zachary admits he was a bit nervous himself when it came time to shoot the film’s roller coaster scene but after a couple of time around, he was hooked. “I went on six times in a row,” the young actor says, “It was awesome.”

“And playing Greg for a third time, I feel like I settled into it as soon as I saw the rest of the cast again. It was more like a ‘Wimpy’ reunion than coming back to work,” Zachary says, “because everyone feels like part of my family now.”“Diary of a Wimpy Kid: Dog Days” will open August 15 in theaters from 20th Century Fox to be distributed by Warner Bros. 

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Ruby Sparks Hollywood movie

Directors: Jonathan Dayton, Valerie FarisCast: Paul Dano, Zoe Kazan, Chris Messina, Annette Bening, Antonio Banderas, Aasif Mandvi, Steve Coogan, Toni Trucks, Deborah Ann Woll

It's perhaps no coincidence that the long-awaited second feature from the directors of Little Miss Sunshine centers on a novelist suffering from writer's block, but the film itself reveals no sense of artistic stasis, proving vital and responsive to the nervy improbabilities of co-star Zoe Kazan's original screenplay. It's unlikely that commercial lightning will strike twice for Fox Searchlight to the same degree it did after the distributor picked up Jonathan Dayton and Valerie Faris' debut six years ago, but the genuinely romantic core and Harvey-like fantastical element suggest real box-office potential to be tapped equally among young men and women. Inspired by the Greek myth of the sculptor Pygmalion who fell in love with one of his creations, only to see it come to life, Kazan, a prolific playwright whose first produced script this is, imagines a situation in which an L.A.-based novelist's character suddenly materializes before his eyes and behaves exactly as he writes her. He finds himself to be the ultimate puppetmaster, not only on the page but in real life; if he wants her to be loving and obedient, fluent in French or a great cook, she will be all that, whatever he wants.

In contemporary Hollywood, it's easy to imagine a single-mindedly raunchy variation on this idea in the hands of someone like Adam Sandler or Judd Apatow. Fortunately, the filmmakers here have something less obvious and more heartfelt in mind, using the patently far-fetched premise to play with ethical ideas about the extent of any person's control over others and of dealing with an idle fantasy becoming reality.

Paul Dano plays brainy, bespectacled Calvin, who scored a literary sensation of nearly The Catcher in the Rye proportions at 19 and now, a decade later, finds the creative well stiflingly dry. When his agent and others try to reassure him that he's a genius, Calvin snaps, “Don't use that word,” while his shrink (Elliott Gould) gives him a one-page writing assignment in the hope of getting him out of his rut.

But, not for the first time, all it takes for a man to be inspired is the right woman, who in this case is Ruby (Kazan), an offbeat redhead with luminous blue eyes Calvin meets in a park. Immediately, the words start to flow again as he works on his Olympic portable. “It's almost like I'm writing to spend time with her,” he marvels as the pages begin to accumulate. Suddenly, however, she materializes in his apartment, his imaginary muse suddenly flesh and blood before his eyes. The most conventional scenes, in which Calvin has his brother Harry (Chris Messina) over to convince him that Ruby's for real, are also among the funniest. It's Harry who challenges Calvin to write something to see if Ruby follows suit. When, just short of the story's halfway point, Calvin finally accepts the reality of the power he has over his dream girl, he vows, “I'll never write about her again.”

Having removed the leash to allow the romance to proceed on an equitable footing, Calvin reluctantly drives Ruby up the coast to Big Sur to meet his mother (Annette Bening), a radiant latter-day hippie who lives in a lushly overgrown Eden with her extravagantly friendly artist lover (Antonio Banderas). While Ruby, Harry and the latter's wife (Toni Trucks) embrace the hedonistic lifestyle, Calvin withdraws into himself. Once they're back home, and with Calvin no longer writing, Ruby develops an independent streak, wanting more space and time apart. After the depressed Calvin responds by returning to the keyboard to manipulate her back into his arms, she tilts to the opposite extreme and becomes a pathetically dependent wreck.


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The Dark Knight Rises Hollywood movie

Starring: Christian Bale, Tom Hardy, Anne Hathaway, Joseph Gordon-Levitt, Marion Cotillard,   Gary Oldman, Michael Caine. 

Many critics and cinema-goers have wondered whether or not The Dark Knight, Christopher Nolan’s second Batman film, was really, in its essence, a superhero film. The key ingredients were all there on a superficial level – the costume, the techno toys, the cackling baddie bent on citywide destruction – but Nolan had stirred and synthesised them in new ways to craft a lucid, sinewy crime epic closer to Michael Mann’s Heat and Coppola’s second Godfather film than anything Marvel Studios has yet produced.

The Dark Knight Rises, the third and emphatically final film in his Batman trilogy, goes even further: for the most part, this is a superhero film without a superhero. Batman here is less a character than a symbol, then a cipher, and later an icon, and swathes of the film pass without its notional hero appearing on screen in full, Caped Crusading regalia. (With a running time of two and three quarter hours, it’s fair to say The Dark Knight Rises is a film that can be divided into swathes.)

Eight years have passed since the events of The Dark Knight, and Bruce Wayne (Christian Bale) is living a Howard Hughes-like existence in his Manor, “holed up with eight-inch nails and peeing into jars,” as a Gotham congressman indelicately puts it. Thanks to draconian laws passed in the wake of the Joker’s spree, the city’s streets have been cleaned up, and the need for a costumed crimefighter is no longer too pressing. In fact, Bruce is only spurred back into action when a cat burglar called Selina Kyle (Anne Hathaway) infiltrates Wayne Manor and swipes his late mother’s necklace (Nolan’s script, co-authored with his brother Jonathan, never lowers itself to using the C-word: Catwoman).

But it’s Bane (Tom Hardy), a gas-masked, ox-built revolutionary who paints himself as “Gotham’s reckoning”, who is the far greater threat. Nolan introduces his villain in a thrillingly ambitious opening sequence: here, Bane and his cronies are extracted from central Asia on a CIA plane which is plucked out of the sky and demolished piece by piece – with no visible use of computer graphics – by a second, larger aircraft. Like all of the action sequences in The Dark Knight Rises, Nolan shoots the scene with a minimum of artifice and visual fuss, which imbues inherently far-fetched scenarios with a chilling plausibility. Just as Heath Ledger’s Joker was disguised as a bank robber in The Dark Knight, Nolan fools us into thinking his big bad guy is a footsoldier before revealing his true face, but this time the trick has a deeper, thematic significance. Bane issues a call to arms to the recession-struck citizens of Gotham, to rise up against businesses and institutions that grew fat at their expense: in this film, the everyman is the most dangerous, powerful figure of them all.


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Maximum Bollywood movie

                                                         

Director:Kabeer Kaushik

Producer:Kabeer Kaushik

Starring:Sonu Sood, Neha Dhupia, Naseeruddin Shah

Story: The story of Maximum goes back to 2003, where the local police had declared a war against the underworld. Two brave officers Pratap Pandit (Sonu Sood) and Arun Inaamdar (Naseeruddin Shah) have been given the responsibility to root out the wrong-doers. The story is majorly based on the two cops, one journey and a struggle for 'maximum' power. But they are not alone in this game, there are other players as well. The conspirators moving at every level. Taking the dream through layers of emotions and betrayals to an unpredictable climax. While Pandit (Sonu Sood) is ambitious, Inaamdar (Naseeruddin) is shown conniving and silent.

Maximum lacks the vivid detailing and the plot badly lacks meat. The film is based on two Mumbai encounter cops, who are locked in a bitter and eventually self-defeating turf war. But, to one's surprise there isn't much dramatic conflict between the duo. What's more disappointing is that the film at times leaves you clueless as in what's actually going on.

Performance: Talking about the performances, Sonu Sood is an encounter cop of few words and many bullets. He's the blue-eyed boy of the Establishment. A man with all the greys and all the power. Sonu has an impressive  screen presence, but fails to prove himself due to weak plot. Naseeruddin in his element is an experience that needs no definition. Naseer is just dynamic . No wonder Shah just steals the show with his power pack performance.

                                                 

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Mumbai Cutting Bollywood movie

 Director: Sudhir Mishra, Rahul Dholakia, Revathi Menon,

                   Rituparno Ghosh, Kundan Shah

Producer:

Niyati Shah, Seemanto Roy, Samrat Sengupta

Starring:

Neetu Chandra, Sonali Kulkarni, Vinay Pathak

Parcel (Directed by Revathi, starring Sonali Kulkarni, Vinay Pathak) is about human trafficking, which forms the backdrop of the film. lt follows the life of a immigrant woman who arrives in Mumbai on her way to the middle-east. All that she has to experience to realize her goal and whether she gets what she wants or not, forms the story of the film.

Jo palti Nahi Who Rickshaw Kya (Directed by Ruchi Narain, starring Raima Sen, Deepak Bajwa) is about a 'ickshaw loving'NRl's life in the city. She sees life in Mumbai through her interaction with the rickshaw drivers and experiences all that is to be experienced to become a true local. 

Mumbai High (Directed by Ayush Raina, starring Arjun Mathur, Juhi, Raj Singh, Geetika Tyagi and others). The city of Mumbai is basically divided into two realms. The story is of those who are driving the hurtling trolley bus down over the edge of the bottomless pit...and its also the story of those who are queing up by the numbers to somehow get themselves to board the bus and manage to wring for themselves a window seat. in the meanwhile, authorities have a super plan of action to, or so to say, supervise the direction of the progressive physical, mental and spiritual degeneration. To keep things flowing, we have the usual bunch of losers, winners and the not-to-be-forgotten...the in-betweens.The spirit of Mumbai is the moral of the story. And the spirit is dancing wild to the beat of everyday life in the metropolis and looks like someone is gonna be locked up and put away in the dark dungeons of etemity. What the hell! Who cares? Cheers!

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