The Expendables 2
Story: Team Expendables reunite for yet another task. It's only when things go wrong do they realise life has never really been a cakewalk for them... or for their enemies....
Movie Review: Now what is The Expendables' craze all about: Is it about Hollywood's super duper Men of Steel sharing the silver screen with each other? If yes, Expendables 2 surely tops the chart. Just take your pick -- Sylvester Stallone, Jason Statham, Jet Li, Chuck Norris, Jean-Claude Van Damme, Bruce Willis, Arnold Schwarzenegger, Liam Hemsworth. Or is it about seeing the same Men of Steel doing what they do best - action, action and action? If yes, rest assured, Expendables 2 delivers more dhamaka in comparison to its prequel.In fact, no sooner does the camera start rolling do you find your heroes running between tanks, explosions, bikes, through jungles.... On the other hand, the very last scene can have any action buff asking for more - Slyvester and Jean-Claude keep their guns aside and choose to fight the fist-and-foot way. And what lies between the beginning and the end? A storyline, a wee bit better than the
Movie Review: Now what is The Expendables' craze all about: Is it about Hollywood's super duper Men of Steel sharing the silver screen with each other? If yes, Expendables 2 surely tops the chart. Just take your pick -- Sylvester Stallone, Jason Statham, Jet Li, Chuck Norris, Jean-Claude Van Damme, Bruce Willis, Arnold Schwarzenegger, Liam Hemsworth. Or is it about seeing the same Men of Steel doing what they do best - action, action and action? If yes, rest assured, Expendables 2 delivers more dhamaka in comparison to its prequel.In fact, no sooner does the camera start rolling do you find your heroes running between tanks, explosions, bikes, through jungles.... On the other hand, the very last scene can have any action buff asking for more - Slyvester and Jean-Claude keep their guns aside and choose to fight the fist-and-foot way. And what lies between the beginning and the end? A storyline, a wee bit better than the
Expendables, but definitely not cutting edge.
A word about performances. It's Sylvester Stallone and Jason Sathom who are primarily seen calling the shots ... with ease. Up next is the new kid on the block, Liam Hemsworth, who does manage to fit in pretty well with the action heroes of yore. As for Bruce Willis and Arnold, we do get to see a bit more (action fans read: still little) of them (remember the blink-and-you-will-miss cameo of the two in the earlier part), though you are once again left wondering why they are not a part of all that action-reaction stuff. Lastly, what really disappoints is the is-he-even-there Jet Li and why-is-he-even-there Chuck Norris.But all set aside, it's these bunch of cronies, trapped in the orgy of death and destruction, making up for all that misses... and of course hits. Time to settle down for some vintage bang-bang stuff!
The Expendables 2 Trailer
50 Lakhs Movie Online
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Irfan Khan Iliyazi was born in a poor family in Bombay, India, the son of a railway coolie, who started his career as a pick-pocket. At the age of 17 when he was threatened by his opponent, he retaliated by killing him and scattering his body parts on nearby railway tracks. Thereafter Irfan went on become an underworld don as well starting deali...
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December 3rd, a normal day in Mumbai, except that - A Dalal Street broker is trying to spend a crore of Rupees a day on fancy cars and women.... A mysterious high tech killer is stalking the streets with cold fury... 5000 crores of r...
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Description: 100 Days is a Bollywood film released in 1991 starring Madhuri Dixit, Jackie Shroff, Moon Moon Sen, and Javed Jaffrey.
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18-year old Ravi (Naresh) is the son of Swagruha Home Foods owner (Kota Sreenivasa Rao). He has a sweet childhood friend Aparna aka Appu (Swetha Agrawal), who also stays in same apartment complex in which Ravi lives. Appu's mother is a widow. Appu's father's ambition was to see Appu as a doctor. Ravi's father is a miser and doesn't give pocket m...
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Ramaraju (Prabhas) is an orphan who is brought up by Peddayana (Nassar) in Buttayagudem. When he was a kid, the daughter of MP visits his place and they had fun in playing with each other. Before leaving, she asks him to study well. He takes her as inspiration and tops his studies. Later on he joins the same college in which the Madhu (Arti Agar...
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R.V. Ramana Murthy's musical blockbuster 'Abhinandana' is a family drama that showcases the sacrifices of a young girl to take care of her family needs. Rani (Shobhana) the central character of the movie aspires to be a dancer. However, her dreams come to a standstill when her pregnant sister Kamala (Rajya Lakshmi) meets with an unfortunate acci...
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Chandu (Yashwant), Vijay (Vijayasai) and Babloo (Babloo) are friends and study in the same college. They are not happy as girls do not care for them. They are poor and cannot afford bikes and this is shown as the reason why the girls shun them. When they are about to commit suicide, a real estate agent approaches them and offers them good commis...
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Dilip and Pranathi go to forest in search of a hidden treasure. Accidently Dilip meets his friend Sweetee, who helps them. Pranathi feels jealous. Later Dilip faces spirit of Sarma who was thrown into well by Dilip in his childhood days. Sarma?s spirit starts taking revenge. Finally Dilip and Pranathi perform Shanthi Pooja, after which Spirit go...
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Vishal and Swati meet, fall in love, and get married and buy an apartment in a good locality in Mumbai. After settling there, Swati finds out that the previous owner had been killed by committing suicide. Shortly thereafter she starts to visualize the suicide and hallucinates. When Vishal is told, he just shrugs this off, and even informs her th...
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Srinu (Bharat) and Anjali (Sharanya) study tenth class in the same school. They fall in love with each other. Their friendship cum love thickens when they continue studying together in Intermediate. Later they get married and lead a family life. After initial struggling, Srinu gets a good job and Anjali gives birth to twins. But their happiness ...
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Andala Rakshasi movie
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Andala Rakshasi Songs free download:
1. Sound of Vel: Download
2. Yemito : Haricharan
3. Manasu Palike : Rakendu Mouli
4. Ne Ninnu Chera : Ranjith, Veena Ghantasala
5 . Ye Mantramo : Bobo Shasi
6. Manasa Marchipo : D.Satyaprakash, Bhargavi Sridhar
7. Vennante : Ranjith
'Love is the irresistible gravity between hearts that pulls them into the game of fate'. This has been best carried out on the screen through Andala Rakshasi. Hanu Raghavapudi debut directorial venture has sound technical values. The heart-touching love story seems to be a rehash of Manirathnam's early film. It appears like the director is retelling the story of Mounaragam with tragic end.
The cinematography of Murali G is the major attraction of the movie Andhala Rakshasi. Lead actors' performance, Radhan's musical score, Hanu Raghavapudi's poetic narration, comedy, stunning visuals, amazing art work are its other and the lethargic and slow paced narration is its biggest drawback.
The story of Andhala Rakshasi, which is set in 1991, is centre-staged on three pure hearts Surya, Gowtham and Midhuna. It is all about falling in love, forgetting and waiting for love. The film highlightslove and its tormenting its patrons in pursuit of it. They resemble the three Sun, Moon and Earth. Set in motion by the force of love, the three individuals can neither come close nor but are destined to revolve around the dear ones.
Gowtham (Rahul Ravindran) is son of a rich father. He falls in love with Mithuna (Lavanya Tripathi) at first sight. And he wants to marry her, but he waits for her to develop love towards him. But she is emotionally connected to her dead lover Surya (Naveen Chandra). Whether Gowtham will find a replace or not will form the crux of the story.
The narration is very slow and nothing interesting happens in the first half of the movie, in which Gowtham and Mithuna are just sitting in his father's, he keeps gazing at her, while she is awkward and anxious and is looking around except him. This whole sequence appears blank and dragging.
Rahul Ravindran has delivered wonderful acting, his expressions throughout the movie are awesome. As Mithuna, Lavanya Tripathi has done her part very well and she emotes well, which is appealing. But it is Naveen Chandra, whose rock-solidness makes everyone like him in the end. Others have also done justice to their roles.
Murali G's camera work is main attraction in the technical front. Then comes art work, which is also super. Radhan's music is also plus point of the movie. His compositions like 'Yemito' and 'Emito ivale rekkalochinattu' are good to listen. Editing is also commendable.
Overall, Andhala Rakshasi is good romantic entertainer. If you are fan of heart-touching love story, then don't miss this film.
Andala Rakshasi Trailer:
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Rachel Weisz on The Bourne Legacy
The scenes at the Four Seasons Hotel in Beverly Hills are enough to make me wonder which is the bigger operation: filming The Bourne Legacy, or putting on the press junket for The Bourne Legacy. Somewhere amid the phalanxes of publicists and warrens of suites is a room attended by clipboard bearers and inside is Rachel Weisz – big-haired, dressed in a slinky fuchsia dress, and blazing with beauty so extreme that there’s almost an absurdity to it. She seems exhausted. The tea-cup-littered table attests to how long she’s been here.
“I’ve spoken to people from all over the world,” she says, “but not many like this, these 'one-on-ones’ – which sounds like some weird sex thing. But it’s part of the… it’s just a part of the job.”
This is Weisz’s first Bourne film, and it’s also the first to feature Jeremy Renner, rather than Matt Damon, in the lead role: in 2009 Damon announced he was stepping away from the saga. Weisz plays Marta Shearling, a scientist who begins the film running a lab and ends up fighting for her life on the back of a motorbike in Manila. That’s an impossibly bravura sequence which deserves to enter the cinematic canon of high-speed chases and Weisz, who spends much of the film in a state of breathless alarm, admits that for those scenes she wasn’t acting: “I was just terrified. It was scary but I suppose it’s sort of a badge of honour that you do your own stunts. So I felt kind of tough.”
Renner only just admitted to her “for the first time yesterday” that the bike sequence was the scariest stunt for him, she says, “because he was responsible for my life. But thank God he didn’t say that to me in Manila. In Manila he was all 'I’m cool, I’m cool, it’s good’ – pretending he wasn’t really scared.”
As well as risking her life hanging off the back of motorbikes, she spent time talking to a real-life virologist as part of her preparation for the role.“What happens in that moment when I sit and talk to someone is that I realise they’re just a human being like me and there’s no reason why I couldn’t pretend to be them. I guess my main thing is that I don’t judge the character, ever, and if I do, I think I’ve probably failed in bringing the character to life. So the analogy would be: I’m their defence lawyer and in my guts I have to believe in their innocence to represent them.”
I’m wondering if someone as smart as Weisz struggles over doing movies as silly as The Mummy, the mega-franchise in which she plays an improbably hapless Egyptologist and with which she made her name. Since her Oscar win in 2005 for The Constant Gardener, her choices don’t seem to conform to any kind of game plan. She has had her share of duds and little-remembered roles.
“The last two movies I had that came out, which probably you didn’t see because not many people did, were a Terence Davies film, which I recommend [this was 2011’s The Deep Blue Sea, in which she played a judge’s wife caught up in an affair] and another film called The Whistleblower which I don’t think even got released in England,” she says. “It was a very low-budget independent movie about a woman who fought sex trafficking in Bosnia. So probably my leanings, my taste, is more indie, but,” she adds smoothly, “I love the Bourne films.”
She enthuses about director Tony Gilroy: “He was a guitarist in a rock-and-roll band for many, many years and I sort of felt like I was in his band – he likes chaos, he likes spontaneity, he likes things to be completely unpredictable and that’s how I like to be.”
There’s a twinkle in her eye as she says this, a naughtiness that hints at the wayward teenager she apparently once was.
“I just didn’t have a sense that teachers or my parents had a right… well, I didn’t have a sense that they were in charge, basically,” she says. “I think it’s quite healthy to rebel.”
Has she mellowed into obedience as she’s got older?
“Oh no, I’m not obedient! No. Definitely not, not for the sake of it anyway. I’m not rebellious just for the sake of that either but I think one has to stand up for what one thinks is right. You can be polite but rebellious. I guess as you grow up you learn to be politely rebellious, rather than ----ing people off.”
Weisz was born in 1970 to Edith, an Austrian psychotherapist, and George, a Hungarian inventor, and she and her younger sister grew up in Hampstead. She studied English at Cambridge – accordingly, almost everything ever written about her seems to include the phrase “brains and beauty”. Does that irritate her?
“My hunch is that a man would never be described in similar terms,” she says. “I think it’s just: 'shock horror – she speaks, she reads and is pretty!’ I think it’s a gender-specific kind of trap. I don’t think people mean it badly, it’s just the way in which people are still thinking, sadly. Actually, it’s just a reflection of the times we’re still in.”
Somehow, we end up talking about her university dissertation, a feminist reading of Carson McCullers, Eudora Welty and Flannery O’Connor.
“It was about the grotesque body, breaking the smooth boundaries of definition. Particularly in the deep south, it was the place in which women were having to be the most pretty and sweet and,” she delivers this with a little knowing smile, “weren’t allowed to be pretty and clever, you know?”
Weisz has been modelling since she was 14, and in 2005 was made a face of Revlon. When it comes to being an A-list Hollywood actress, being pretty is, I’d imagine, more important than being clever.
“My job… it’s odd in that, you know, you write an article and you have something there to look at, whereas my product is just me. It’s actually me on the stage or the screen. I know that all women struggle with the attention that’s paid to their body; there’s a focus women have on their bodies that I don’t believe men experience in the same way. I know men are objectified too, but I don’t think in quite the same way as women.”
Foremost among those objectified men must surely be her husband, Daniel Craig, most famous for emerging from the sea in a pair of snug swimming trunks on screen as James Bond. There must, I say, have been some family jokes about Bourne versus Bond?
“Not really actually,” she breezes impatiently, “only journalists have brought it up. I guess if I was playing Jason Bourne we’d be talking about it – that would be a direct rivalry but there isn’t any.” She adds, summarily: “I think they’re massively different.”
Did Craig visit her on set, I ask.
“Yeah,” she says evenly. “It was nice.” And, not for the first time, it’s as though a limo’s darkened glass window has just closed over her face. She and Craig married quietly in New York last year, following her 2010 split from director Darren Aronofsky, with whom she has a son, Henry Chance. Unsurprisingly, the tabloid attention was rabid.
“I used to say, 'Oh well, I’m not a celebrity.’ Now to say that would be just silly because clearly I am. Today I’m being interviewed and I’m aware that people are looking at me as if I’m a celebrity, but when I’m running around the streets taking my son to work with no make-up on I mostly don’t think it’s a reality. So I feel like I can opt in and out of it.” She smiles: “But maybe I’m mad!”
In fact, I think the madness of this world she’s in must necessitate a deep level of sanity. For example, you’d surely need to have your head screwed on just to watch yourself on screen. How does she find that?
“If it’s bad acting then it’s unpleasant, but if I’m being authentic and realistic I don’t find it that hard anymore. I did at first. At first it was traumatic.”
That’s a big word, I say.
“Well it is,” she retorts crossly. And then mellows. “Yeah, it is a big word, I’m being actressy and exaggerating, but you know the way people say they can’t stand hearing their voice, it’s a bit like that but magnified because you’re six foot on a screen and each of your teeth is as big as a plate.”
She once used another strong word – “toxic” – to describe Hollywood. Would she stand by that? “I think I may have said that in my early twenties when I first came out here and I was just terrified – it’s easy to demonise something when you’re frightened. I don’t think Hollywood is a bad place. People have an idea of what Hollywood is and I don’t think it’s really true.”
At this point, the publicist in the corner wields her palm in the air.
Seeing my nod, Weisz starts over her shoulder: “What does that mean, there was a signal?”
I explain it means we have five minutes left.
“Oh God!” she exclaims, sounding terribly English. “Have we really been that long? Blimey! OK.”
I ask what she thinks is her greatest strength as an actress. She thinks for a brief moment and then says: “I’m no longer frightened of making a fool out of myself. I think once you’re not frightened of that you become… I think maybe that’s the path to fearlessness.”
With the publicist now semaphoring ardently behind her shoulder, Weisz looks at me and her face ignites into a huge, warm smile. It’s only after I’ve left that I realise perhaps she was just smiling with relief as she saw me switch off my Dictaphone.
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Newlywed Molly moves into her deceased father's house in the countryside, where painful memories soon begin to haunt her.
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